四月物语[电影解说]

　　塔兰图拉毒蛛(Tarantola dal ventre nero, La)由吉安卡罗·吉安尼尼 克劳迪娜·奥格尔 芭芭拉·布薛特等巨星主演，由著名的恐怖片导演Paolo Cavara执导。　　铬黄，是意大利早期生产的低俗小说的纸张颜色，代表着陈旧、劣质和通俗。铬黄电影的内容也就离不开市井气的凶杀、通奸和诱拐，简单来讲，就是我们现在所说的“三俗”，也可以说是“意大利的杀人狂电影”。被残虐的对象99.9%是无辜的年轻女性，死亡前都有不同程度地折磨。以达里奥·阿真托、卢西奥·福奇和马里奥·巴瓦为首的铬黄大师们，用各种变态的手段无所不用其极地蹂躏着可怜的花朵，也摧残着我们的视听系统。刀片锐利无比，娇嫩的皮肤像白纸一样脆弱，鲜血像加了水泵一样喷涌四溅。www.chaoji365.com

　　"Nove Ospiti per un Delitto" is a mediocre giallo in the tradition of Agatha Christie's "And Then They Were None". Nine members of the same family go to an island, where nobody lives - but the head of the family (Arthur Kennedy) owns a nice house there. Problem is that he and his three sons keep a dark secret, and this dark secret begins to haunt them as soon as they are on the island. One by one they fall victim to a mysterious killer... (IMDb)

　　女生洛蕾达娜不断地利用绝色美貌引诱她的那些无辜的同学和老师。当她失去童贞后，很快意识到生命中有更重要的事情，远非比仅仅为了取笑男人......

　　14世纪的黑暗时代，被判定为女巫的伊莎贝拉死在火刑架上。丈夫杰克甘愿成为吸血鬼猎杀处女，企图以处女之心和眼复活妻子。时间已至现代，杰克利用继女订婚宴的机会回到古堡，筹备着25日月圆之夜的复活计划。命运的安排下，当初火刑场上的那些故人也纷纷重回现于现代，跨越数百年的冤仇与情恨在这个古堡里重合……

　　其貌不扬的里昂（保罗·维拉乔 Paolo Villaggio 饰）是一名玩具推销员，在一次偶然中，里昂误打误撞的闯入了银行抢劫的现场，不仅如此，他还鬼使神差的将载有巨额赃款的劫匪所驾驶的车辆给开走了。罗斯塔（奥内拉·穆蒂 Ornella Muti 饰）有着高度近视，离开了眼镜生活几乎不能自理，可那一天，她偏偏就丢了眼镜，在一片迷蒙之中上了里昂所驾驶的贼车，两人莫名其妙的就踏上了逃往的旅途。　　一路上，里昂和罗斯塔历经艰险，被各路人士追杀，屡屡徘徊在死亡的边缘，最终，一位善良的军官将两人救了下来，当里昂看见罗斯塔和军官眉来眼去情投意合后，失望而又伤心的他选择了默默的离开。

　　纳鲁多无意进入一个神秘的地下室后，性格起了莫大变化，纳不知从何而来的复生咒把邪恶的魔鬼梅金唤醒。威塔瓦感到纳的变化，与女友罗妮决定到地下室阻止这一切。纳为使梅金成不死之身，令许多无辜少女成为祭品及加入魔鬼门徒之列。邪恶的少女门徒剧增，情况变得难以收拾……　　Narudom突然间性情大变，由一个好人变成一名极为阴险及不懂交际的人。 他终日困著自己锁在他父母留给他的古堡内。他终日困着自己锁在他父母留给他的古堡内。有一天他在古堡发现一本名为「Immortal Life」的魔法书，而该书是由一名来自西藏的喇嘛送赠的。　　书中提名一个邪魔Mekin重新的故事。一名女子为了Mekin的灵魂得到永生而被杀，可是Mekin却终情于他的旧情人Ramanee，而该人即是现世Witthawat。Narudom又如何面对这个邪灵Narudom又如何面对这个邪灵？

　　捕鱼时不幸落水的小猫咪被大伙救上岸后，哭喊着要妈妈，乌鸦慌里慌张帮它去找妈妈，结果找来和它看起来很像的熊猫和老虎，闹了笑话。不过第三次，小猫咪的妈妈给它找对了。　　大伙细瞧老虎和猫咪，发现它俩除了体积有别，其余几乎一模一样，纷纷议论起来。老虎夸口自己比猫咪本领大，大伙不信，要它俩比赛。两场比赛下来，善用技巧的猫咪赢过只知使用蛮劲的老虎，不过猫咪可一点也没骄傲，相反，它开始耐心将自己的本领传授给老虎。

　　James Bentley is tried for the murder of Abigail McGinty, the charwoman of Broadhinny who also took in Bentley as her lodger. The evidence is overwhelming, and soon after he is sentenced to hang. Superintendent Spence is not convinced of the man's guilt, and so he visits Poirot, asking him to look into the case. Poirot then heads off to the village, where he becomes the paying guest of Maureen and Major Johnnie Summerhayes. Ariadne Oliver, Poirot's novelist friend, has also come to Broadhinny to collaborate on a stage adaptation of one of her novels with dramatist Robin Upward. With the clue of a bottle of ink purchased by the dead woman shortly before her death, Poirot searches Mrs. McGinty's belongings and finds an edition of The Sunday Comet newspaper, where an article concerning two women connected with famous murders has been cut out. With the story are two photographs of the women. Poirot discovers that Mrs. McGinty had seen one of the photographs before, and knew to whom it belonged to. But which woman was this case connected with? Are any of the people living in Broadhinny related to these women, as one of their children? Or perhaps one of them is one of the actual women? The puzzle pieces begin to fit in, especially after Poirot is shoved into the path of an oncoming train by an unknown entity. But will the murderer strike again?